Thursday, March 21, 2019

The Necessity of Violence in Native Son by Richard Wright Essay

In natural Son, Richard Wright uses characterization and symbolism to underscore his theme of how American institutionalized subjection of blacks creates human tragedy for those oppressed. Yet, the novel is not an attempt to merit our philanthropy or empathy for the condition of repressed blacks, it is to illustrate how the nihilistic attitude of blacks like Bigger Thomas is the direct result of white repression of differences in non-white cultures. In other words, Biggers only option is death because the society which has created him has given him null else to care about, no involvement he can call his own, no bump to explore any of his potential. Thus, he turns to violence as an expression of indistinguishability which is what his reaction to reading the newspaper expresses. When he reads the article in the paper, he exclaims to his mother, No Jan didnt help me He didnt have a damned thing to do with it I - I did it (Wright 283). His act of violence is his only c ertification of self in a society that represses any other act upon of self-affirmation and he desperately clings to it. Even the alarm clock that rings in the beginning of the novel is a symbol. It is a symbol Wright uses as a wake up call to a society that remains locked in illusions regarding its creation of race relations that makes Bigger always someone who is sideline a strange path in a strange orbit (Wright 127). This is why Biggers communist lawyer tells the court that Bigger is incapable of cleanup position because he is already dead as he is forced to outlast in a society that refuses him any affirmation of life. Bigger is a displaced person because the society into which he is born allows him no place. He is Ellisons unseeyn man who is destined to fall be... ... of modern American societys institutionalized oppression. whole caboodle CITED Richard Wright. Chapman, R. (ed.) caustic Voices. New York, Penguin Books, 1968 113-114. Richard Wright Biogr aphy. http// March 20, 1999 1-5. Richard Wright Homegrown Bigger Thomas as a Product of His Environment. http// March 20, 1999 1-2. Without the Consolation of Tears Richard Wright, France, and the Ambivalence of Community. Gilroy, P. (ed.) The Black Atlantic Modernity and Double Consciousness. Mass., Harvard Univ. Press, 1993 146-186. Wright, R. How Bigger Was Born. Chapman, R. (ed.) Black Voices. New York, Penguin Books, 1968 538-563. Wright, R. primordial Son. New York, HarperCollins, 1993.

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